Decades since its initial publication, Edward Said's
Orientalism (1979) has emerged as a seminal interdisciplinary work, reshaping
scholarly approaches to cross-cultural studies across various fields. At its
core, the book delves into the intricate interplay between power dynamics and
knowledge production. Said's thesis, asserting that "the Orient" is a
construct originating in the West, serving as a framework for broader Western
endeavors encompassing economic, military, and cultural dominance, retains its
profound relevance. It stands as a linchpin within contemporary critiques
challenging the assumptions and categories of modern knowledge. Said has
further expounded on the political dimension of his argument in extensive
writings concerning the Palestinian question. For those engaged in the critical
examination of knowledge, this work serves as a provocative call to broaden the
scope of their intellectual pursuits.
"Beyond Orientalism," authored by Fred Dallmayr, a
distinguished political theorist with a specialization in continental
philosophy, endeavors to meet this challenge. Dallmayr establishes a connection
between his own body of work and Said's critique of Western representations of
the nonwestern world. Comprising a series of interrelated essays, the book
explores the nexus between Asian philosophical traditions and internal
critiques of the rationalist model that have emerged within the Western
tradition. The initial chapter delves into Tzvetan Todorov's "The Conquest
of America" (1984), while the subsequent eight essays predominantly
scrutinize Indian philosophers or writers whose contributions directly engage
with trends in Indian philosophy. These essays serve as a commendable
introduction to the philosophical musings of several relatively lesser-known
Indian and Japanese thinkers, including Sarvepalli Radhakrishnan, J. L. Mehta,
Wilhelm Halbfass, and Kitaro Nishida and the Kyoto School of Buddhist
philosophy. Dallmayr adeptly elucidates these thinkers' philosophical concerns,
the interplay between their texts, and their connections to the writings of
more familiar Western philosophers like Heidegger, Gadamer, Derrida, and
Habermas. Despite being independently written essays, the book remarkably
maintains a cohesive thread, attesting to the author's sustained engagement
with this specific facet of Asian thought.
Nonetheless, while immensely successful, the book doesn't
truly extend Said's political and intellectual project. Said's endeavor
entailed a reevaluation of the terms underpinning cross-cultural intellectual
encounters, rather than merely an invitation to engage with the foreign as the
new. Regrettably, Dallmayr tends to reexamine the contributions of Asian
philosophers to modern epistemology within the confines of the same established
intellectual discourse that lends his book its satisfying coherence—a discourse
largely defined by figures like Gadamer, Derrida, Habermas, and most notably,
Heidegger. It is worth noting that many of the Asian thinkers discussed by
Dallmayr appear to implicitly accept the definitions established by the
dominant epistemological discourse, further underscoring this issue.
Said's seminal work drew attention to the classificatory
paradigms shaping all cross-cultural projects, especially those straddling the
East/West divide, and the power structures underpinning them—from the
eighteenth century to the present day. However, Dallmayr misconstrues Said's
argument by equating Orientalism with a specific historical period
(nineteenth-century colonialism), rather than recognizing it as a set of
enduring power dynamics requiring ongoing scrutiny. Given that Dallmayr
explicitly premises his book on Said's argument, this misinterpretation leads
to theoretical and methodological complications. Additionally, certain classificatory
patterns employed by Dallmayr prove to be particularly problematic. Chief among
them is the selection of authors—not to suggest that these thinkers are
unworthy of consideration. They are undeniably significant. However, it is
striking that none of them seem to be scrutinizing the role of power in the
construction of knowledge, a crucial emphasis in Said's work. Instead, Dallmayr
appears to have chosen philosophers whose work tends to exemplify a pattern
within the Orientalist project: the reconciliation of ostensibly authentic
Eastern modes of thought with ostensibly distinct Western norms. This
impression is further reinforced when Dallmayr approvingly notes
Radhakrishnan's 1936 appointment to an Oxford chair as a sign of the demise of
Orientalism, rather than recognizing it as a potentially insidious
confirmation. Similarly, describing Wilhelm Halbfass as an Indologist who can
act as an "honest broker" for cross-cultural encounters suggests a
certain bias. These stylistic choices reflect a deeper issue in the selection
of authors—a question not just of who is being included, but also of who is
being excluded.
It is disconcerting that Dallmayr makes no reference
whatsoever to Muhammad Iqbal, a Muslim Indian philosopher. Iqbal, who underwent
training in Heidelberg during the 1920s and grappled with the concept of the
self in Islamic thought, would appear to be a fitting candidate for inclusion.
His notable absence underscores the glaring omission of any Muslim thinkers in
Dallmayr's discussions. This oversight contributes to the portrayal of the
Indian tradition as predominantly Hindu, with a smattering of Buddhism. Perhaps
Dallmayr's focus lies solely on what could be deemed authentically Indian
philosophy—those originating organically within the subcontinent. However, this
particular classification of cultural authenticity has been fundamentally
challenged by the Subaltern Studies collective. Comprising notable Indian
writers like Partha Chatterjee and Ranajit Guha, this group has played a pivotal
role in reshaping the terms of the intellectual encounter between India and the
West. It is noteworthy that Dallmayr does not acknowledge their contributions.
While the philosophers that capture Dallmayr's attention appear engrossed in
the epistemological categorization of Eastern (Hindu or Buddhist) vis-à-vis
Western (secular) modes of thinking, the Subaltern project is centered on the
interrogation of historical categories such as caste, race, nation, and
religion. This endeavor involves deconstructing the very categories that once
underpinned the authenticity of India's precolonial past, its customs, and
philosophies. Dallmayr's decision to overlook thinkers whose work expands and
redefines the tradition he seeks to engage with ultimately constrains his own
project. "Beyond Orientalism" stands as a serious and valuable
introduction to the intellectual endeavors of writers deserving of greater
attention in the West. However, if it falls short of being genuinely
post-Orientalist, perhaps this in itself serves as an indication of the
enduring influence of the Orientalist paradigm and the continued relevance of
Said's original critique.
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