Showing posts with label Travel Writing. Show all posts
Showing posts with label Travel Writing. Show all posts

Thursday, 25 January 2024

Nicholas Thomas', "Colonialism’s Culture: Anthropology, Travel and Government" (Book Note)

 

 

 

Nicholas Thomas's book, "Colonialism's Culture: Anthropology, Travel, and Government," challenges the conventional understanding of colonialism as a straightforward political project. Instead, Thomas posits that colonialism is best comprehended as a symbolic, often self-contradictory, cultural enactment. He delves into the various ways in which colonialism manifests and perpetuates itself through representational practices, ranging from missionary biographies to health and sanitation reports to colonial postcards. This approach prompts Thomas to critique recent theoretical perspectives by postcolonial critics such as Edward Said, Gayatri Chakravorty Spivak, and Homi Bhabha, who conceptualize colonial discourse as a cohesive and unified totality.

 

The introductory chapter questions the utility of contemporary totalizing theories of colonialism. While acknowledging the critical value of overarching terms like "colonialism," Thomas suggests that scholars may benefit more from abandoning the assumption that the term relates to a meaningful category or totality. Instead, he advocates for an exploration of specific colonial projects, rejecting attempts to formulate global theories applicable universally to all colonial contexts. Drawing on Michel Foucault, Thomas argues for a critical approach to colonialism that is both localized and partial, yet rooted in longer historical developments and narrative traditions.

 

In the second chapter, which serves as a comprehensive introduction to recent postcolonial critique, Thomas summarizes the contributions of Said, Spivak, and Bhabha. He contends that considering colonial discourse as a coherent and unified field is problematic. For example, the book challenges the dynamics of Lacanian psychoanalysis, arguing that the prevailing emphasis on Self-Other relations empties these dynamics of their universal validity. Thomas advocates for a nuanced and contextualized understanding of colonialism, moving away from broad generalizations in favor of specific, historically situated analyses.

In subsequent chapters, Thomas delves into different yet contemporaneous colonial contexts. He examines governmental discourse generated during the annexation of Fiji and explores the writings and practices in the Australian Solomon Islands. Thomas meticulously examines how political contingencies shape colonial discourse, emphasizing that distinct colonial projects yield entirely different modes of representation. This divergence, as Thomas argues, challenges attempts to create global descriptions of colonialism, revealing that efforts to homogenize colonial experiences are inherently flawed.

 

Readers interested in understanding how Christian beliefs influence colonial processes and patterns will find Thomas's exploration noteworthy. He highlights that, until quite recently, scholars have seldom questioned the pivotal role missionaries played (and continue to play) in the colonial process. Missionaries, in their efforts to counter local representational practices, have been seen by postcolonial theorists as contributing to a homogenizing force. Thomas challenges this view, suggesting that the religious beliefs and practices of missionaries may differentiate them in certain historical contexts from other members of the colonizing culture.

 

Thomas identifies a "Christian difference" among missionaries in the Western Solomon Islands, characterized by their "incorporative ideology" rooted in the biblical account of the unity of humankind through God's single act of creation. Christian discourses, particularly missionary writings, mark others as pagans rather than savages or members of inferior races. Missionaries' narratives of conversion, crafted for audiences back home, played a crucial role in fundraising and self-legitimation projects. These narratives often contrast the natives' former state of savagery with their present state of supposed high development. Notably, Thomas distinguishes between missionary and secular concepts of "otherness," highlighting that the former's boundaries between pagan and Christian are mutable, whereas the latter often relies on fixed hierarchies of stable racial difference.

Thomas's differentiation of the representations of otherness produced by Christian missionaries should not be misconstrued as a defense of their work. On the contrary, he is meticulous in acknowledging how the prospect of conversion often functioned as a potent tool for legitimating colonial expansion. The crucial point to emphasize is not that missionary modes of depicting otherness were somehow superior to those produced by other colonial writers. Rather, Thomas underscores that these representations were organized by very distinct systems of identifying and classifying differences between colonizers and the colonized. Simple accusations of racism may oversimplify the complex ways in which Christian missionaries conceived of and represented themselves and the people they sought to convert.

 

 

 

 

Saturday, 21 October 2023

Justin D. Edwards and Rune Graulund (eds), "Postcolonial Travel Writing: Critical Explorations" (Book Note)


 

Postcolonial travel writing stands at the crossroads of diverse academic disciplines, emerging as a pivotal area of scholarly exploration in recent times. Intrinsically tied to a tapestry of critical issues such as imperialism, diaspora, multiculturalism, nationalism, gender, identity, globalization, and postcolonialism, it grapples with complex notions like transculturation, center-periphery dynamics, border crossings, hybrid identities, and the profound impact of location and displacement on the human experience. Travel itself signifies a departure from the familiar to the unfamiliar, thrusting the traveler into an alien realm distinct from their homeland. This newfound terrain often presents a challenge to one's sense of self, spotlighting the dialectic between the self and the other. Consequently, the genre of travel writing raises critical questions: How does postcolonial travel literature portray notions of identity, selfhood, and otherness? Can travel serve as a catalyst for the discovery of one's identity?

 

The editors of "Postcolonial Travel Writing" underscore that the term 'postcolonial' introduces the potential for dislocation, disjunction, and even rupture when coupled with travel writing—an arena that has come under scrutiny within postcolonial discourse. Their intention is to challenge complacency by unsettling established critical domains and decentralizing dominant theoretical frameworks. This introductory gesture situates travel writing within the expansive realm of postcolonial studies, delineating the thematic terrain that it encompasses. A particularly insightful discussion is offered on Amitav Ghosh's "In An Antique Land," a text that subverts conventional colonial travel narratives and critiques the very notion of a travelogue.

 

The critical thrust of postcolonial travel writing is not confined to a mere act of "writing back" against established narratives. Instead, it dissects and critiques Eurocentric travel accounts, offering alternative perspectives that contest the Euro-American narrative hegemony. The essays in this volume tackle the conventional perception that travel writing is inherently colonial, engaging with texts that convey a sense of decentering from European and North American perspectives, as well as from the overarching forces of Empire and globalization.

 

This collection, authored by scholars from around the globe, constitutes a comprehensive examination of postcolonial travel writing. It spans a range of genres, encompassing literature, memoirs, essays, and travel histories. These essays grapple with the intricate interplay between place and space, identity formation, national belonging, and the concept of 'home.'

 

A pivotal theme explored in these essays is the transformative impact of globalization on travel. The authors emphasize the imperative to distinguish postcolonial travel writing from its eighteenth and nineteenth-century predecessors. They assert that postcolonial travel writing represents a more prolific and innovative form of textual expression, distinctly diverging from earlier travel narratives. Moreover, the essays elucidate how travel writing offers a plethora of perspectives on the dynamic interrelationship between place and self—a crucial concern within the ambit of postcolonial studies.

 

The first two essays anchor their discussions in Mary Louise Pratt's seminal work, "Imperial Eyes: Travel Writing and Transculturation" (1992). These essays not only reappraise Pratt's contributions but also underscore its enduring relevance in contemporary discussions of travel writing. A subsequent essay by B. Roy, "Disturbing Naipaul's Universal Civilization: Islam, Travel Narratives and the Limits of Westernization," extends from Pratt's framework to argue against interpreting Naipaul's work as an endorsement of Western hegemony. Instead, Roy contends that Naipaul's narratives offer a nuanced perspective on the complexities of globalization and cultural encounter.

 

R. Phillips' contribution, "Decolonizing Travel: James/Jan Morris's Geographies," introduces the notion of ambivalence—a concept capable of challenging entrenched dichotomies such as imperial/marginal, colonial/center, male/female, self/other. Through an examination of the work of transsexual writer Jan Morris, Phillips asserts that ambivalence opens up new avenues of inquiry in travel writing, emphasizing not only geographical change but also shifts in gender identity. This nuanced exploration demonstrates that travel writing transcends physical displacement, engaging with broader issues of identity and cultural exchange.

 

The texts under scrutiny encompass a diverse array of postcolonial travel literature, including works by V.S. Naipaul, Pico Iyer, Caryl Phillips, Denis Williams, Jamaica Kincaid, and William Dalrymple. These selections collectively offer a comprehensive panorama of postcolonial travel writing. Nevertheless, a dedicated chapter on Amitav Ghosh's "In An Antique Land," alluded to in the introduction, could have enriched the collection by providing a deeper engagement with Ghosh's groundbreaking work.

 

The anthology culminates in an insightful interview conducted by Tabish Khair, featuring two prominent figures in the realm of travel writing: William Dalrymple and Pankaj Mishra. Their reflections on the limitations, possibilities, and intricacies of the genre provide a fitting conclusion, consolidating many of the issues addressed in the preceding essays.

 

 

 

 

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