"The Parting" by Michael Drayton is a sonnet. The poem is
structured as a Shakespearean sonnet, adhering to a consistent rhyme scheme of
ABABCDCDEFEFGG. In this format, the volta, or the turning point, traditionally
occurs between the twelfth and thirteenth lines. This is where a shift takes
place in the speaker's tone and perspective. Initially, the speaker firmly
declares their decision to end attempts at love with the intended listener.
However, in a revealing twist, the speaker later acknowledges that if the other
person desires, they could potentially revive and make the relationship work,
contradicting the earlier claim of finality.
The sonnet explores the theme of separation and the complex
emotions tangled with bidding farewell to a cherished individual. Beginning
with a recognition of the inescapable nature of parting, the speaker conveys a
profound understanding that the conclusion is an inherent aspect of all
positive experiences. They express the acknowledgment that even the most
fervent love affairs are not immune to the passage of time.
As the poem begins, the speaker
straightforwardly states that he's giving up on trying to love someone. The
person he's been trying to win over in previous sonnets has, in his view,
defeated him. He firmly believes that their love is not going to succeed, so he
suggests a farewell kiss and parting ways. The speaker expresses relief,
stating that he is happy the situation has come to an end. He makes it clear
that he wants nothing more to do with the person in question. The speaker's
repetitive use of the word "glad" and his brief, assertive statements
create the impression that he may actually desire the opposite outcome. Despite
appearing ready to abandon the relationship, his choice of words suggests a
reluctance to do so. The line "thus so cleanly I myself can free"
suggests that the relationship felt constrained in some way. Now, by deciding
to end it, the speaker implies a sense of liberation and freedom from this
perceived entrapment.
In the next four lines, the speaker suggests a civil
farewell by proposing a handshake and a clean break. They emphasize that any
love they once shared should be completely discarded when they meet again. In
the future, the speaker envisions a relationship of mere acquaintanceship,
devoid of any lingering traces of their past affection. They stress that there
should be no visible signs on their faces ("brows") indicating the
existence of their previous love.
In the last four lines, the speaker uses personification to
describe their love falling apart, likening it to "Love's latest
breath" gasping and their "pulse failing." The speaker addresses
Passion and Faith, indicating a heightened emotional state while emphasizing
the finality of the end. However, a shift occurs between the twelfth and
thirteenth lines, revealing the speaker's true feelings. Despite the earlier
assertions of the demise of their love, the speaker admits that if the other
person wished it, they could revive their affection. This admission contradicts
the earlier claim that their love was completely extinguished.
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