"Artificial Parts, Practical Lives" presents
twelve essays by different authors, offering diverse perspectives on the
replacement of body parts, artificial restorations, and the augmentation of
human function. Despite the essays' divergence in topic and tone, the
compilation aims to stimulate research and critical inquiry, according to
Katherine Ott, one of the editors and essay authors. The book covers various
aspects, including the human genome project, ADA court cases, concepts of
citizenship, the history of the novel, homosexuality, postmodernist theory, and
the rise of Disability Studies.
The cover features a captivating photograph of two
individuals shaking artificial hands, sparking curiosity about the mechanical
limbs. However, the book disappoints by not delving into details about the
prostheses shown on the cover or the lives of the individuals using them. Some
photos within the book also pique interest in prosthetics, but the accompanying
text often lacks sufficient information about the function and integration of
these devices with the users.
Katherine Ott's introduction, "The Sum of Its
Parts," and David Serlin's opening essay may unsettle knowledgeable
readers with inaccuracies and misinterpretations. Ott's statements about
myoelectric limbs and the origin of the term "torque" are based on
outdated information, eroding confidence in the collected material and raising
questions about editing. Serlin's essay contains notable mistakes, such as
mischaracterizing Harold Russell's limb loss and inaccurately describing Jimmy
Wilson's condition. These inaccuracies, while not crucial to the book's
content, cast a shadow on the reliability of the information.
Serlin's essay, "Engineering Masculinity,"
explores the psychological toll of limb loss and the link between engineering
prosthetics and male identity. The lack of technical details about a remarkable
prosthesis shown in a photograph weakens the essay's impact. The missed
opportunity to connect essays and the absence of strong communication links between
essayists and technical or medical consultants are evident.
Ott's detailed article on the history of artificial eyes
stands out positively, offering engaging insights. However, the introduction's
cultural, social, political, and gender overlays may challenge general readers'
comprehension. Ott's contributions vary significantly between the introduction
and her essay, showcasing inconsistencies in style and tone.
Only three essays closely address modern histories of
prosthetics, focusing on breast prostheses, artificial eyes, and endoprostheses
for joint replacement. Half of the essays use prosthetics as a departure point
to explore related topics, covering a wide range of subjects, from Benjamin
Franklin's inventions to Confederate veterans' struggles and cosmetic
prostheses.
Heather Perry's essay on prosthetics in Germany after World
War I stands out for its original scholarship, providing insights into the
influence of German practitioners on prosthetics worldwide.
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