Sandiford's theoretical framework is primarily influenced by
Michel de Certeau, particularly his emphasis on heterology and idealized desire
in colonial narratives. Additionally, he draws on Michel Foucault and Orlando
Patterson to address the effects of slavery. The introductory reference to the
"first phrase of my title" creates initial confusion, suggesting a
connection to Richard Ligon's "History of Barbados" (1657; 1673).
However, it becomes clear that the original title was "Sweete
Negotiation," a phrase used by Ligon. Sandiford's recurrent trope centers
around the term "negotiation," where he contends that it juxtaposes
neg (signifying activity, trade, slavery, social disorder, and sugar
production) against otium (representing ease or quiet). In analyzing each of
the six texts, Sandiford focuses on the uneasy interaction between neg and
otium
The use of "negotiation" effectively highlights
the contradictions and tensions inherent in representations of the early
colonial Caribbean. Ligon's use of the term appears to draw on an obsolete
meaning of "negotiation" as "trade" or
"business," aligning with his advocacy for expanding the sugar trade.
However, Ligon introduces the notion of negotiation as "bargaining"
or "dealing" in the context of ensuring the longevity of great
estates. This aligns with Sandiford's analysis, where negotiation becomes a central
trope.
Ligon not only provides Sandiford with a controlling trope
but also establishes a baseline for an "optimistic frontier myth" and
a "discursive space for the Creole desire of cultural legitimacy."
This baseline serves as a measure against which the remaining texts in the
study are evaluated. The inclusion of Charles de Rochefort, despite being a
non-Anglophone figure, proves valuable in presenting alternatives to the
English vision of empire. Rochefort's "unitary vision of culture
sanctioned by monarch and state" contrasts sharply with the English
approach to colonization. Sandiford's exploration of Grainger's "The Sugar
Cane" includes a comprehensive overview of recent scholarship on this
"West-India georgic." Grainger's work emerges as a key text for
analyzing the West Indies in the late eighteenth century, grappling with the
tensions between the "reactionary pull of georgic" and a burgeoning
sense of a new Creole "imperium." Sandiford's treatment of Grainger
exemplifies his writing style and the persistent use of the negotiation trope
in his analysis.
The differing approaches of Rochefort and Grainger might be
attributed to linguistic, cultural, or generic disparities between them, or
more likely, the considerable gap of over a century between their works (1658
and 1764). This temporal difference raises several questions, signaling the
need for further exploration by other scholars.
Janet Schaw's Journal, as explored by Sandiford, brings
forth issues of class, gender, Scottish-English cultural tensions, and
metropolitan condescension towards the colonies. Schaw, described as possessing
a "uniquely feminine sensibility," relegates sugar, slaves, and
creolization to values subordinate to other authors in the study. Sandiford
effectively contrasts Schaw with the "reformist slave-master" Matthew
Lewis, emphasizing Lewis's "revolutionary energies" and the romantic
tendency to privatize and aestheticize experience.
Beckford's Descriptive Account of the Island of Jamaica also
exhibits aesthetic concerns, where "the factual is persistently
interrupted by a compulsive aestheticism." The study's theoretical depth
is complemented by 26 pages of helpful notes and eight pages of a "select
bibliography." Positioned as essential reading for scholars in various
fields, "The Cultural Politics of Sugar" highlights the need for more
comparative literary analysis of the Caribbean region. The century-long gap
between the first two texts and the latter four underscores the importance of
further study during a critical period in the English-speaking Caribbean when
Britain becomes the principal slave trader, securing its dominance in the
region, and witnessing the birth of the antislavery movement.
No comments:
Post a Comment