Abbie Farwell Brown's
"Friends," portrays nature, particularly the Sky, Wind, and Sun, as
sources of solace and comfort for those willing to embrace them.
"Friends" is
structured as a four-stanza poem, each stanza consisting of four lines or
quatrains. Abbie Farwell Brown maintains a consistent rhyme scheme throughout
the poem, following the pattern abab cdcd efef gaga. This deliberate choice in structure
complements the straightforward syntax of the poem, lending it a sing-song
quality akin to a song or a spoken parable.
The poem opens with the
speaker finding solace and contentment in nature, relishing both joy and peace.
Seeking respite, she retreats to a familiar spot beneath a tree, where she can
bask in the protective embrace of the overarching sky. Here, she delights in
the gentle caress of sunlight dappling through the foliage, creating intricate
lace-like patterns upon her skin.
In the latter part of the
poem, the speaker describes the subtle arrival of the Wind, which tenderly
whispers sweet nothings in her ear, filling her surroundings with its
comforting presence. Everywhere around her, the forces of nature stand ready to
offer solace and companionship to those in need.
In the opening stanza, the
speaker begins by expressing the simple joy derived from immersing oneself in
nature. She emphasizes the pleasure of reclining and gazing upwards through the
branches of a tree. Abbie Farwell Brown intentionally keeps these lines
straightforward, avoiding grandiose statements about nature's qualities.
Instead, Brown aims to evoke a sense of inspiration for readers to embrace the
inherent goodness found in the natural world. Notably, the speaker refers to "the
tree" rather than "a tree," suggesting a specific, perhaps
personal, location or memory. Continuing, the speaker provides an emotive,
personified description of the sky visible through the tree's foliage. Through
careful observation, one can perceive the sky as akin to a benevolent,
expansive smile. The shift to first-person narrative underscores the speaker's
intimate connection to the experience she recounts—a moment she wishes to
relive. The sky, depicted as nurturing and protective, bends over her,
symbolizing a comforting, parental presence. This imagery directly aligns with
the theme of seeking solace and solidarity in nature, as introduced in the
preceding discussion.
In the second stanza, the
speaker delves deeper into her description of the sky, moving beyond its mere
blue expanse. She introduces the presence of the "Sunshine," which
intermittently filters through the intricate "lace" of leaves. Abbie
Farwell Brown's choice of the word "lace" enhances the scene's
beauty, evoking the intricate patterns one would observe in such a setting. The
speaker continues to emphasize the theme of comfort, likening the sporadic
warmth of the sunlight on her face to receiving "kisses" from a
nurturing figure, symbolized as her "Mother." This imagery evokes feelings
of pleasure and security, reminiscent of the innocent joy and affection
experienced in childhood. Brown portrays nature in a profoundly positive light,
highlighting its capacity to evoke emotions of childlike happiness and
contentment that may feel elusive in adulthood.
In Third Stanza , the speaker
shifts her focus to another natural force at play in the sky above her: the
Wind. Just like "Sunshine" and "sky," the Wind is
capitalized, reinforcing Brown's persistent personification of these elements
as independent entities with agency. The Wind is portrayed as it stealthily
moves across the grass surrounding the speaker, almost as if it intends to
surprise her with its gentle whispers. Brown's description of this encounter
with the Wind is imbued with beauty and sensory imagery, inviting readers to
easily envision the scene. The Wind is depicted as communicating with the
speaker, sharing "pretty things" in its whispers. Continuing the
personification, the speaker describes the Wind as it passes by on "careful
wings," suggesting a sense of delicacy and grace in its movements. Despite
its quiet presence, the speaker acknowledges its existence, yet she cannot
visually perceive its passage.
In the final stanza, the
speaker depicts the "Wind," "Sky," and "Sunshine"
as steadfast companions, referring to them as "gentle Friends." These
natural elements are portrayed as reliable presences that offer comfort and
solace to those who seek them. While the poem does not explicitly state it,
there is a suggestion that these elements represent a greater divine presence,
perhaps symbolizing the presence of God. This divine presence is pervasive in
nature, always felt even when not visibly apparent. The speaker emphasizes the
reassuring nature of these companions, suggesting that their constant presence
ensures that "A child should never feel a fear." In this
interpretation, these "Friends," embodying the power of God, serve as
sources of reassurance and guidance during times of uncertainty or distress.
The poem's themes are readily
discernible due to its simplicity. One prominent theme is the appreciation for
nature, depicted through the personification of the benevolent "Sky"
and the gentle "kisses" bestowed by leaves. Nature is endowed with
agency, suggesting a larger, divine power at play, interacting with the
inhabitants of the world.
Additionally, the theme of
comfort and solidarity emerges as central. The speaker utilizes nature as a
metaphor to convey a message of solace to the listener, highlighting the
comfort to be found in the fundamental elements of existence. Implicit in these
references is the suggestion of an underlying divine presence acting through
these natural forces.
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