"Taking Our Time" presents an intriguing
collection of essays and poems exploring the concept of time from a feminist
perspective, drawing on various disciplines such as philosophy, sociology,
history, and literature. The contributors collectively express skepticism
toward "patriarchal time," characterized by its linearity and
objectivity, which has traditionally excluded women's cyclical, subjective, and
relative experiences of time.
Among the essays, Heide Gottner-Abendroth's contribution
titled "Urania — Time and Space of the Stars: The Matriarchal Cosmos
through the Lens of Modern Physics" stands out as one of the most
insightful. Gottner-Abendroth meticulously explains the patriarchal concept of
time and how it became widely accepted as a universal norm. She emphasizes that
before the patriarchalization of time, it was deeply intertwined with women's
experiences, even considered to be inherently female. In matriarchal societies,
time was intricately linked to women's bodily processes related to fertility,
such as menstruation cycles synchronizing with lunar phases and pregnancy
cycles aligned with the mythical year from Easter to Yule.
Moreover, Gottner-Abendroth highlights the public
recognition of women's "inner clock" evident in dance rituals and ceremonies
aligned with celestial calendars like Stonehenge and Avebury. She asserts that
matriarchal societies were pioneers in conducting precise astronomical
observations and conceived of time not as a linear progression but as a
spiraling cyclical movement intertwined with the rhythms of planets and stars.
However, the cyclical concept of time prevalent in
matriarchal societies was dismantled by patriarchal warrior societies in
antiquity. These patriarchal societies championed a rational-linear, historical
concept of time, glorified through genealogical lists and succession narratives
of ruling dynasties. The emergence of mathematical sciences further reinforced
the metricalization of time, emphasizing precision and quantifiability over
historical context and qualitative experiences.
The split between historical and metrical time persists
today, with historical sciences often criticized for their perceived
imprecision and lack of metricization. This division reflects broader societal
attitudes towards knowledge production, where metrical time is prioritized as
more rational and valuable compared to historical narratives.
"Taking Our Time" explores the pervasive
influence of science and technology in imposing a quantifiable and artificial
order upon life processes, particularly impacting women's experiences of time.
The collection of essays seeks to challenge the notion that women's time can be
neatly measured or quantified, highlighting the subjective, mystical, and
timeless nature of their experiences.
In her essay titled "Unreliable Allies: Subjective
and Objective Time in Childbirth," Meg Fox delves into the ways in which
male-dominated obstetrics has reduced the profound and unique experience of
childbirth to a mechanical process governed by objective clock-time. The
medicalization of childbirth, with its emphasis on precise chronology and rigid
protocols, diminishes the subjective and intuitive rhythm of labor, depriving
women of agency and personal autonomy in the birthing process.
Fox emphasizes that childbirth is inherently subjective
and timeless, transcending the confines of objective clock-time. The rhythmic
contractions experienced by women during labor symbolize a connection to a
deeper, more primal reality beyond the constraints of linear time. To interfere
with this natural rhythm is to objectify labor and deny women their inherent
power and agency in the birthing experience.
While Fox's critique of the medicalization of childbirth
within orthodox medical practices is not novel, it remains a crucial issue
within contemporary obstetrics. Since the 1960s, feminist literature has
extensively documented the objectification of labor and the loss of women's
control and creativity in childbirth. However, there is a growing awareness and
shift within the medical community towards more woman-centered approaches to
childbirth.
Responsible women are increasingly asserting their
preferences for childbirth conditions that honor their autonomy and bodily
autonomy. Hospitals and healthcare providers are responding to this demand by
creating birthing rooms and centers that prioritize women's comfort and agency
during labor and delivery. These changes reflect a recognition of the
importance of allowing labor to unfold according to the inner rhythm of a woman's
body, free from unnecessary medical intervention.
"Taking Our Time" offers a captivating
exploration of the diverse perspectives of women on the concept of time.
Through a collection of essays and poems, contributors challenge patriarchal
notions of time, highlighting the subjective and cyclical experiences often
overlooked in traditional, linear understandings of time.
Jerilyn Fisher's essay, "Teaching Time: Women's
Responses to Adult Development," delves into the experiences of mature
women returning to college, shedding light on their struggles with patriarchal
assumptions about timing and progress in adult development. Fisher reveals how
women often feel "off-time" or developmentally delayed when measured
against male-biased standards of maturity. By validating women's personal sense
of time, Fisher empowers them to reclaim agency over their life decisions and
reject external pressures to conform to societal expectations.
However, Fisher's exploration of male-defined
"maturational signposts" such as menstruation, motherhood, and
menopause raises questions about the contradictory nature of separation and
autonomy as both masculine goals and aspirations for women returning to
college. While Fisher acknowledges the need for women to define maturity on their
own terms, the ambiguity surrounding these concepts leaves room for further
clarification.
Other contributors to "Taking Our Time" offer
unique perspectives on women's experiences with time. Mary O'Brien reflects on
childhood experiences of linear time, while Robbie Pfeuffer Kahn examines the
impositions of linear time on pregnancy, birth, and lactation. Elizabeth Deeds
Ermath provides a thought-provoking analysis of woman's time through literary
works, revealing contradictions inherent in historical time as experienced by
female characters in novels. Cheryl Walker explores the poetry of H.D. as a
model for understanding women's changes in historical time, and Patricia Mills
reexamines myths of Antigone, Circe, and Medea to trace the creation of the female
self.
Marie-Luise Gaettens delves into the relationship between
patriarchy, authority, and Nazism in German women's reexaminations of Nazi
Germany, while Mair Verthuy and Irma Garcia uncover feminine temporal
sensibilities in the writings of various authors, including Nin, Duras,
Collette, and Woolf. Margaret Davis offers a personal account of her mother's
studies of time and synchronicity, accompanied by intriguing personal
experiences.
The book is interspersed with poems by various authors,
adding depth and richness to the exploration of women's experiences with time.
It opens with an introduction by Frieda Johles Forman and concludes with
selections from the Agape Feminist Conference on "Women's Time" held
in Italy in 198.
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